Philip Kern skillfully weaves together two familiar spirituals, Ezekiel Saw The Wheel and There Is A Little Wheel A’Turning In My Heart, to create a choral gem. The voices sing each melody separately, then together. Features brief, optional solos, a rollicking piano accompaniment, and a short a cappella section.
An outstanding arrangement by Mark Hayes of an American folk spiritual. An unhurried introduction gives way to a moderate rock groove highlighted with rhythmic intensity. Much unison writing in men’s part; women occasionally divide to three parts. InstruPax includes: director’s score, 2 trumpets [opt. flugelhorns], 2 tenor saxes, rhythm, synthesizer, percussion.
An outstanding arrangement by Mark Hayes of an American folk spiritual. An unhurried introduction gives way to a moderate rock groove highlighted with rhythmic intensity. Much unison writing in men’s part; women occasionally divide to three parts. InstruPax includes: director’s score, 2 trumpets [opt. flugelhorns], 2 tenor saxes, rhythm, synthesizer, percussion.
A rousing choral medley from one of Gilbert & Sullivan’s most famous operettas that’s perfect for today’s choirs. Includes three mixed choir numbers and one each for the women (“Never Mind the Why and Wherefore”) and men (“We Sail the Ocean Blue”). Piano accompaniment has been especially adapted from the original score and remains true […]
It’s the well-known Humperdinck prayer from “Hansel and Gretel” with a new and touching second verse. This outstanding Julie Knowles arrangement now makes this beloved classic accessible for treble choirs. The piano accompaniment is gorgeous. Prayer is destined to become a choral standard.
An emotional and electrifying new arrangement of a classic American work, with your choice of accompaniment options, including full concert band. Fine choral writing is the hallmark of this work, with the accompaniment adding power and drive. Captures every emotion as it moves from an adagio opening through a march-like section and an a cappella […]
A classy and dynamic combination of two spirituals (“Rise Up Shepherd and Follow,” and “Behold that Star”) arranged for today’s choir by Philip Kern. Great choral writing, yet not difficult; there’s considerable unison and 2-part writing. Outstanding piano accompaniment.
A tender and graceful arrangement by Greg Gilpin of a captivating Irish ballad. This simple, yet deceptively subtle arrangement includes quite a bit of unison and 2-part writing, saving the mixed part writing for powerful effect. The piano accompaniment is a classic and adds much to this arrangement’s appeal.
Superb edition for today’s choir of a work from Schubert’s famous “Mass in G” (1815). This largely homophonic work remains at a constant tempo throughout and includes only one simple, brief contrapuntal passage. Includes historical and biographical information (excellent for program notes) and a Latin pronunciation guide.
Energetic and joyous masterwork from Handel’s 1743 oratorio featuring both homophonic and contrapuntal writing. Parts for two trumpets (optional) included in the publication. Keyboard accompaniment is effective on piano or organ.
This vibrant, classic, minor-key spiritual arrangement will bring out the best in your choir. It opens and closes with a slow statement of the melody. Exciting choral writing throughout. Its sudden dynamic changes from pianissimo to fortissimo create interest. InstruPax includes: director’s score, 2 trumpets, 2 trombones, 2 alto saxes, 2 tenor sax, baritone sax, […]
Close your next concert in style with this great patriotic original by Jay Althouse and Sally Albrecht. Scored for band with optional chorus, this arragement features a fresh treatment of American in 4/4 time and will provide a high-impact finale for your next program. Choral parts are available in 2-part, 3-part mixed and SATB voicings. […]
This creative arrangement the popular spirituals “Gonna Ride Up in the Chariot” and “Swing Low, Sweet Chariot” with an exciting and rthymic piano accompaniment. InstruPax includes: director’s score, 3 trumpets, 2 French horns [opt. 2 alto sax], 2 trombones [opt. tuba], percussion, rhythm.
This is classic American choral writing. Opens with a legato “oo” passage which may be performed a cappella. Comfortable ranges. A timeless addition to your choral library.
GLORIA is a setting of the hymn of praise from the traditional Latin Mass. The work is divided into twelve seperate movements, which include eight choruses, one aria for soprano, two arias for alto and a duet for two sopranos. The final movement is a setting of the words Cum Sancto Spiritu, in gloria Dei […]
Need a wintertime piece for your December concert? This lovely work by Ruth Elaine Schram fits the bill perfectly. The “echo” style makes for quick and easy note learning, yet sounds wonderful. The text speaks of the magic and wonder of winter’s beauty. Your singers will love it.
