The three Latin Motets from the late 1880s have long been a standard repertoire of British choirs and have often been recorded on CD. And yet, although the Anglo-Irish composer Charles Villiers Stanford is no longer unknown in Germany, they remain an insider’s tip. The motets are true miniatures of a cappella music. Due to their fine motivic structure, effective antiphonal groupings, and clear harmonics, they produce tremendous sound effects in a small space.
Charles Villiers Standford: Three Motets Op. 38
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