A folk-like setting of Maya Angelou’s empowering poem, which compares a bird’s longing to be liberated with that of all people. Hayes chooses a minor key with plenty of harmonic tension and a walking tempo that suggests the footsteps of those who have come before. The final Picardy third is the ultimate symbol of freedom.
In 1993, Maya Angelou recited this poem at the inauguration of President Bill Clinton, making her the first African American and the first female poet to deliver an inaugural recitation. Subsequently, Angelou’s audio recording of “On the Pulse of Morning” won a Grammy Award® for “Best Spoken Word” in 1994. Mark Hayes opens with a […]
Although it was cut from the original 1939 film, this number from The Wizard of Oz is an energetic, swinging romp through one of the prominent dance crazes of the time period, and appears in many contemporary productions of the show. Rhythmic syncopation and chromatic jazz harmonies create a toe-tappin’, finger-snappin’ sensation that just begs […]
Contemporary choral harmonies and a driving piano accompaniment are the hallmarks of this exuberant setting of the timeless Latin text. A legato English language section in the middle provides contrast before an energetic return to the original material. Highly recommended for concert or contest!
Adapted from Roald Dahl’s James and the Giant Peach, this sensitive ballad tackles the tough topic of loss in a warm and reassuring way. A lilting piano accompaniment supports the tender melody, harmonized beautifully in the supporting voices.
