for SATB, violin, and piano This is an artfully crafted setting of a beautiful poem by Matthew Meiklejohn. It is rich in contrasting material and many of the text’s images are apparent in the music. The violin part contributes much to the setting, and has moments of virtuosity amidst the energetic piano writing and expansive […]
For SATB unaccompanied Skempton’s setting of the Preces and Responses is simple, well-crafted, and harmonically rewarding, and is perfect for choirs seeking new material for the liturgy.
for SATB unaccompanied God of creation sets an English translation of a Latin hymn attributed to St Ambrose. Smith employs a mixture of homophony and independent part-writing, along with a range of dynamic effects, to create moments of tenderness and majesty within this short piece.
for SATB and piano four-hands or orchestra This short, energetic piece sets words by contemporary hymn-writer Mary Louise Bringle. The text is full of positivity and hope, and Wilberg’s use of a 7/8 time signature keeps the verses propelling forward joyously, while undulating quavers shape the refrains.
for SATB unaccompanied This simple, well-crafted motet is bright, optimistic, and compelling. Skempton employs artful homophony and sensitive word-setting, and the repetitions of the opening refrain build towards an effective central climax.
