Written in 1930 and famously recorded by Nat King Cole in 1951, this hit regained popularity when Natalie Cole recorded a “virtual duet” with her father. Laid-back and fun to sing, it became the title song for the 1953 movie of the same name.
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Words from the English carol, “Good King Wenceslas” are set to the melody of “Hey, Ho, Nobody Home.” Canonic writing ensures success, and the stately walking tempo suggests a processional. A light percussion accompaniment (including handbells or Orff instruments) adds a Renaissance feel. Ideal for developing choirs!
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Maya Angelou’s most popular poem about triumph over adversity comes brilliantly to life in this vivid setting by Mark Hayes. The bright shuffle tempo and bluesy piano riffs perfectly embody Angelou’s strength, courage, and determination to rise above. One of the most uplifting choral selections of our time!
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This contemporary gospel-style rouser denounces oppression and serves as a choral anthem for equal rights. A confident solo voice helps deliver a determined message in the unwavering words of Maya Angelou. If performing as a set, an alternate ending segues directly into the closing movement of Like Dust I Rise. When performing separately, Mark Hayes […]