Originally written for the television series “Smash,” this showstopper is perfect as a concert or cabaret theme. The underlying rhythmic pulse reflects the drive one feels when headed toward the goal of many performers: “I’ll pull myself together, I’m focused on the prize Broadway, here I come!”
A supportive accompaniment is the foundation for uncomplicated choral writing in this dramatic setting of Shakespeare’s text. Beautifully rich and moving.
You know this Christmas carol, but you’ve never heard it like this before! Alan Billingsley’s contemporary interpretation brings the traditional tune up to date. The SATB voicing sounds great a cappella, while a funky accompaniment works well to support the SAB and SSA. Bass and drums on the optional SoundTrax CD pump up the R&B […]
In this Tony-nominated number, while trying their best to compete with the wildly successful William Shakespeare, the Bottom brothers, Nick and Nigel, follow the advice of Nostradamus and create a play where an actor is saying his lines, and “out of nowhere, he just starts singing.” A terrific showcase for concert and show choirs!
Gloria Estefan and the Miami Sound Machine landed on the charts in 1987 with this pop classic. The rhythm, melody, harmony, and hot instrumentation are all gonna get you in this high-energy arrangement that’s perfect for show choirs.
