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A wedding anthem for mixed voices, SSATB, setting the text of Richard’s brother Thomas.
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A carol text made famous by Elizabeth Poston, here set for upper voices and piano accompaniment
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William Blake’s text scored for unaccompanied SSAATTB a cappella and commissioned by the BBC for Chantage, BBC Radio 3 Choir of the Year 2006
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Paul Mealor: Morwyn Llyn y Fan A text by Grahame Davies for soprano and harp, first performed by students from the Royal Welsh College of Music and Drama, at Buckingham Palace, London, in the presence of HM Queen Elizabeth II and members of The Royal Family on 5 March 2019.Muziek voor sopraan en harp van […]
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Paul Mealor: A Hymn For Fallen Comrades Core for men’s voices, TTBB and piano accompaniment with optional treble semichorus, this setting of Laurence Binyon and Moina Michael was commissioned by the Wessex Male Choir. Muziek voor mannenkoor van Paul Mealor bestel je online of telefonisch: 0342 – 419 197.
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Richard Allain: How far is it to Bethlehem? A setting of Francis Chesterton’s poem for upper voices and piano or organ accompaniment.
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The Big Picture was written to celebrate the completion of a major redevelopment and refurbishment to Aberdeen Art Gallery. Wishing to examine a subject important, in different ways, to both the visual arts and music, the composer decided to write about colour. Score available: CH88092. Voice/Keyboard Score: CH88092-01. Voice/Extra Percussion Parts: CH88092-03
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The Big Picture was written to celebrate the completion of a major redevelopment and refurbishment to Aberdeen Art Gallery. Wishing to examine a subject important, in different ways, to both the visual arts and music, the composer decided to write about colour. Score available: CH88092. Voice/Keyboard Score: CH88092-01 Instrumental Parts: CH88092-02.
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Scored for soprano solo, SATB choir and piano, Mimi’s Song was first performed as part of the TV programme ‘Mimi and the Mountain Dragon’ premiered on Boxing Day 2019 on BBC Two
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The Big Picture was written to celebrate the completion of a major redevelopment and refurbishment to Aberdeen Art Gallery. Wishing to examine a subject important, in different ways, to both the visual arts and music, the composer decided to write about colour. Instrumental Parts available: CH88092-02. Voice/Keyboard Score: CH88092-01. Voice/Extra Percussion Parts: CH88092-03
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The Big Picture was written to celebrate the completion of a major redevelopment and refurbishment to Aberdeen Art Gallery. Wishing to examine a subject important, in different ways, to both the visual arts and music, the composer decided to write about colour. Score available: CH88092. Instrumental Parts: CH88092-02. Voice/Extra Percussion Parts: CH88092-03
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A setting of four poems by Wallace Stevens, Kathleen Jamie, Norman MacCaig and Emily Dickinson for soprano, cello and piano. commissioned by Kings Place, and first performed there on 24th October 2019 by Ruby Hughes (soprano), Natalie Clein (cello) and Julius Drake (piano).
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This originally appeared in Joel Raney’s Tenebrae service, Who Is Jesus?
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This Easter carol is based on J. M. Neale’s translation of the Latin Piae Cantiones and occupies a captivatingly exotic soundworld. Sheehan’s setting is in strophic form, with a texture that builds from verse to verse and with varying harmonizations, culminating in a dramatic cadence.
This effervescent setting of two texts by David Warner – one for Christmas, one for general worship – was included on the Tabernacle Choir and Orchestra at Temple Square’s recent release, ‘Tree of Life’. Over a shimmering, festive accompaniment for piano four-hands or chamber orchestra, the melody is passed between voice parts, and the dynamic […]
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Scarborough Fair for SSA and piano Higgins’s setting of this popular folk song is simple and wistful, particularly well-suited for children’s and youth
A celebratory carol in a lilting 12/8 metre, Christmas Welcome sets a joyful fifteenth-century text written by the English priest and poet John the Blind Audelay. Whitbourn employs textural contrasts and call-and-response style pairings of voices to great effect, and the soloistic organ writing allows plenty of opportunity for organists to explore the full range […]